Felipe londoño gay

K Followers, Following, 53 Posts - Felipe Londoño (@felipelondonoo) on Instagram: "📍madrid". Felipe Londono (born in ) is a 28 years old Colombian actor who rose to popularity after making his appearance as Nelson in the show "Wrong Side of the Tracks.". CHECA TODO SOBRE EL TRÍO GAY EN PERFIL FALSO. Felipe Londoño (izquierda), Mauricio Henao (centro) y Julián Cerati (derecha) / Foto: Instagram (@juliancerati).

Felipe Londoño. Actor: Wrong Side of the Tracks. Felipe Londoño is a Colombian actor with experience in theater,TV and film. Now in Spain, protagonist of the Entrevias series.

Felipe Londoño Vélez (Medellín, Antioquia, Colombia, 3 de febrero de ) es un actor colombiano, 1 conocido por su personaje de Nelson Gutiérrez en la serie de televisión española Entrevías. 2. Please click on the photographs for a larger version of the image. In , he moved to Madrid to further his studies in photography. Throughout his work, Felipe Romero has been drawn to territories that have been or continue to be sites of tension, conflict and visual reflection.

His images place the viewer in a specific section of the Mexican side. People from Colombia, Honduras, El Salvador and Guatemala arrive, reaching the final stage of a long and arduous journey. In this setting, the river dictates everything, ultimately shaping the identity and way of life of those who encounter it. Bravo is conceived as a photographic essay composed of fifty-two images that explore this reality through a series of photographs of architecture, people and landscapes: closures, bodies and breaches.

Almost bare interiors, walls and surfaces where textures, colors and portraits of individuals the artist has encountered during his travels to the region stand out. Ultimately: a poignant visual essay, both stark and poetic, on the themes of waiting and border identity. After studying visual arts in Buenos Aires, he traveled to Jerusalem on a scholarship to work on photographic projects in the Middle East.

In , he moved to Madrid to continue his training in photography and in , he received his PhD from the Faculty of Information Sciences of the Complutense University with a thesis on the documentary image. The result consists of images that transcend the purely photographic realm to encompass the entire field of visual representation.

Felipe Londoño Vélez (Medellín, Antioquia,

For more than fifty years, the river became a graveyard where the bodies of those killed were hidden. Bravo, the winning project of this second edition of the KBr Photo Award, is once again structured around a border as its leitmotif. The Bravo River has a dual identity: it is both a river and a border between the United States and Mexico. Its geography carries a heavy political burden that has accumulated conflicts and tensions since the nineteenth century, reaching an unsustainable situation in recent years.

It is an area near the Mexican city of Monterrey, where both the river and the flow of people attempting to cross it shape the identity and way of life of the local population. This movement of people affects not only Mexican citizens, but extends to all of Central and South America. Migrants also come from Colombia, Honduras, El Salvador and Guatemala; for them, crossing the river is the last stage of a long and arduous journey.

The border acts as a magnet, drawing people in despite the risks involved in crossing it and the fact that it has almost become a militarized zone. The author considers the river as a political actor, as a border, although throughout the photographs it only appears as a supporting character. In this sense, the river exists as its visual negation, focusing interest on what comes after it: the entrance to the United States.

Bravo was conceived as a photographic essay of fifty-two photographs that explore this reality through a series of images of architecture, people and landscapes: endings, bodies and breaches. Almost bare interiors, walls and surfaces where textures and colors stand out; fragments and remains of roads and buildings that show the traces of the passage of migrants; and portraits of people that the artist encountered during his visits to the area where he carried out the project.

The audiovisual work El cruce The Crossing , which accompanies the exhibition, was created by the artist before the photographs. Romero Beltran thus expands the visual reflection on the river, showing us scenes that challenge its condition as a border, revealing other uses and situations linked to its dual geographical and political character: a Protestant baptism in the river itself; a fishing competition between the United States and Mexico at La Amistad dam, built in the 20th century to control the waters of the Bravo River; a series of interviews between the author and some migrants focused on linguistic changes; the testimonies of Guadalupe, a man who grew up on the Mexican side of the river and regularly swims in it with no intention of crossing it, and Luis, who frequently crosses the river to collect the wet clothes that migrants leave behind in the illegal breaches after crossing, so that he can sell them once he brings them back to Mexico.

The English version is co-published with Loose Joint Publishing. Jeff Wall Canadian, b. Another artist investigating the medium of photography in totally fascinating ways… breaking the glass, deconstructing the support, fragmenting the image, questioning the imprint of photography — in memory, in the photographs physicality, in what leaves an impression, in what remains. Many thankx to the Jeu de Paume for allowing me to publish the photographs in the posting.

Centrum, Linz. This group includes drawings from the series entitled Inquilinatos [Tenement Houses] and Interiores [Interiors] This is literally the case with Ambulatorio , an aerial photograph of the city blown up to a monumental scale and laid out in a regular grid.